First Person is both comic and frightening. At times I caught a glimpse of Money-era Martin Amis in Flanagan's satirical asides on the Australian publishing industry... And there's a hint, too, of an epochal gloom that is redolent of the The Great Gatsby. Yet there are also passages touched with the virtuosity that shone so brightly in The Narrow Road that are pure Flanagan... Studded with sharp, breath-catching observations about the finite nature of life Carl Wilkinson Financial Times sakriti opis