IPPY Literary Fiction Award Bronze Medalist An Observer, Financial Times, and Irish Times Book of the Year

Exceptional... a crisp and readable translation by Sam Garrett. - The Wall Street Journal

Fascinating, hilarious, and page-turning. The publication of this novel marks the exciting introduction of a wonderful writer to an Anglophone audience. - Publishers Weekly

Reviewers have compared it favorably to J .D. Salinger's The Catcher in the Rye, Albert Camus's The Stranger and Karl Ove Knausgaard's My Struggle. In The Irish Times, Eileen Battersby called it 'one of the finest studies of youthful malaise ever written,' and in The Guardian, Tim Parks described it as 'not only a masterpiece but a cornerstone manqué of modern European literature.' The Society of Dutch Literature ranked it as the country's best 20th-century novel and its third-best of all time. - The New York Times

Diabolically funny... From the deep midnight of shattered Europe, Reve crafted not only an existential masterwork worthy to stand with Beckett or Albert Camus but an oblique historical testament. - The Economist

A novel as funny as it is painful . . . A little masterpiece - a provocative reminder that life goes on even in the bleakest of circumstances. - Los Angeles Review of Books

Captivating. - The Atlantic

In this first English translation of a Dutch classic . . . The author's dry wit and ability to find humor and beauty in the banality of daily life are impressive.- Booklist

Not only a masterpiece but a cornerstone manque of modern European literature... what can I say, in a world of hype, that will put this book where it belongs, in readers' hands and minds?... Reve's sparkling collage of acute observation, droll internal monologue and pitch-perfect dialogue keeps the reader breathless right through to the grand finale...huge respect to Pushkin Press. - Tim Parks, The Guardian

One of the greatest post-war Dutch novels... [a] brilliant modern classic. - Tom Chalmers, Publishers Weekly

Consistently simple, straightforward, pitch-perfect prose (translated splendidly by Sam Garrett). - Weekly Standard

a neurotic, darkly humorous and cynical treatise on youth in the Netherlands after World War II. . . the book is innovative in its use of language. Reve successfully evokes a strong sense of psychological unrest in the mind of reader. - Out and About Nashville

drily amusing, suffused with angst and post-war malaise and -- at first blush -- very impressive. - BookFilter

It's a testament to Reve's writing and imagination that the question of Frits will haunt the reader long after they're finished. - Pop Matters

A classic of dry, dark humour... it captures a very specific flavour of ennui. - Herald

I warmly recommend Gerard Reve's hilariously gloomy The Evenings... I see it as a Dutch version of Kafka's Metamorphosis. - Observer

A Meursault-in-waiting, a blank Holden Caulfield, a precursor to the kid in Iain Bank's The Wasp Factory. Very good. - Evening Standard

As a study of aimlessness in postwar Europe it is difficult, perhaps impossible to surpass. - Irish Times

This much lauded book, finally available in English, [is] the perfect January read. - The Spectator

The novel is dark, funny, unsettling and lingers vividly in the mind. Hats off to Pushkin Press and the outstanding translator, Sam Garrett, for making this odd, orphaned masterpiece available at last to an English-speaking readership. - Times Literary Supplement

The Evenings is packed with the minutiae of life: luckily, the minutiae are fascinating...Reve isn't the kind of novelist to give you a straightforward answer but the journey is quite a ride. - The Times

Reve's keen eye for absurdity manages to cast the mundane in a new, albeit macabre, light. - Financial Times

This 1947 Dutch novel, considered the Netherlands' greatest in the twentieth century and now published in English for the