Haslett is one of the country's most talented writers, equipped with a sixth sense for characterization and a limber, unpretentious style. Perhaps his rarest gift is the apprehension of the invisible connections that tie people together... The chapters seamlessly negotiate the passage of time...[Oldest son] Michael comes to dominate the narrative, and Haslett perfectly captures the qualities that make him both seductive and infuriating. He is a motormouth with a fitful imagination and a wicked sense of humor; his nervous energy and 'ceaseless brain' are the battery power on which the whole family runs ... Haslett is alert to the reality of others, and the insinuating power of this novel comes from its framing of mental illness as a family affair. Michael's siblings are both wholly convincing characters, shaped by the abiding question of how much, or how little, they are meant to act as their brother's keepers ... Most affecting of all is Margaret, who is treated with impatience by her children but possesses a capacious understanding...'What do you fear when you fear everything?' Michael wonders. 'Time passing and not passing. Death and life....This being the condition itself: the relentless need to escape a moment that never ends.' That condition, Haslett's superb novel shows, is an irreducible part of the fabric of Michael's family, as true and defining as the love that binds them. ( Sam Sacks , Wall Street Journal)