1 Introduction: Towards creolising transnational South Asian art histories 2 Authorship: Anish Kapoor as British/Asian/artist 3 Form: queer zen 4 Subject matter: writing as a racial pharmakon 5 Space/site: writing queer feminist transnational South Asian art histories 6 Practice-led: producing art, producing art history 7 Affect: belonging Afterword: Toward writing indigenous transnational South Asian art histories Index sakriti opis