Why are there so few high points in the history of theatre? What was it about Ancient Greek theatre, Elizabethan dramaturgy and Racine's 17th-century France that made them particularly able to respond to and create high points in tragic drama?
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Why are there so few high points in the history of theatre? What was it about Ancient Greek theatre, Elizabethan dramaturgy and Racine's 17th-century France that made them particularly able to respond to and create high points in tragic drama?
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