Explores the complex and dynamic ways in which emotions shape the post-World War II writing of the United States and argues that reading these narratives for their affects is to read for the emotional work that takes place between the part and the whole.
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Explores the complex and dynamic ways in which emotions shape the post-World War II writing of the United States and argues that reading these narratives for their affects is to read for the emotional work that takes place between the part and the whole.
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