Who 'speaks' to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? This title opens nineteenth-century operas and instrumental works to new interpretations as the author explores the voices projected by music.
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Who 'speaks' to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? This title opens nineteenth-century operas and instrumental works to new interpretations as the author explores the voices projected by music.
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