In this illuminating exploration of Andrei Tarkovsky's Solaris (1972), Mark Bould considers Tarkovsky not as a transcendent artist but as a filmmaker working within a genre. He situates Solaris within the Russian and global cultures of the fantastic, to which Tarkovsky contributed three major...
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In this illuminating exploration of Andrei Tarkovsky's Solaris (1972), Mark Bould considers Tarkovsky not as a transcendent artist but as a filmmaker working within a genre. He situates Solaris within the Russian and global cultures of the fantastic, to which Tarkovsky contributed three major science fiction films.
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