Contents: Greg Homann/Marc Maufort: New Territories: Exploring the Post-apartheid Stage - Gay Morris: Ubizo - Voices of elok'shini : Listening Afresh to Theatre Voices from Cape Town's Townships - Veronica Baxter: Eastern Cape Voices in Post-apartheid Theatre - Chris Thurman: After Titus: Towards a Survey of Shakespeare on the Post-apartheid Stage - Greg Homann: Claiming Western Texts for Contemporary South African Theatre: Issues of Relevance and the Dead-end Pursuit of National Identity - Mwenya B. Kabwe: SUN: Composition, Continuum, Choreopoem. A Theatre-making Case Study in Post-apartheid South Africa - Brian Crow: The Dangerous Side of Writing: The Post-apartheid Memory Plays of Athol Fugard - Patrick Ebewo: Zakes Mda: The Satirist - Zingi Mkefa: The (New) Playwrights of the (New) Revolution - Petrus du Preez: Re-imagining Space and Identity: A New Generation of Post-apartheid Afrikaans Playwrights - Marcia Blumberg: Staging Miss Julie : Re-Visioning Strindberg - Marc Maufort: Negotiating the Post-apartheid Condition: Violence, Trauma and the Realist Aesthetic in Contemporary South African Drama - Loren Kruger: Reanimating the Ordinary: Walking, Talking and Performing in Johannesburg and Beyond - Anton Krueger/Zoë Reeve: Spectacles of Participation: Performing amaXhosa Authenticity at the National Arts Festival of South Africa - Jay Pather: Laws of Recall: Body, Memory and Site-Specific Performance in Contemporary South Africa. sakriti opis